{"id":13,"date":"2013-08-19T23:26:09","date_gmt":"2013-08-19T23:26:09","guid":{"rendered":"http:\/\/lilgoat.com\/?page_id=13"},"modified":"2018-01-06T02:07:49","modified_gmt":"2018-01-06T02:07:49","slug":"poetry-tribute-to-stax-records","status":"publish","type":"page","link":"http:\/\/lilgoat.com\/?page_id=13","title":{"rendered":"POETRY TRIBUTE TO STAX RECORDS."},"content":{"rendered":"<p align=\"center\"><b>WELCOME TO MARK TURNS<br \/>\nPOETRY TRIBUTE TO STAX RECORDS AND<br \/>\nTHEIR RECORDING-ARTISTS A.K.A. SOULSVILLE USA.<br \/>\nOTIS REDDING, SAM AND DAVE, BARBARA LEWIS,<br \/>\nCARLA AND RUFUS THOMAS, PERCY SLEDGE BOOKER T AND<br \/>\nTHE MG&#8217;S AND ISAAC HAYES ARE JUST SOME OF THE GREATS<br \/>\nTHAT HAVE HELPED MAKE STAX RECORDS AN UNFORGETTABLE<br \/>\nRECORD LABEL WITH A TREMENDOUS UNFORGETTABLE SOUND.<br \/>\n<b><b>I KNOW THAT BARBARA LEWIS SANG ON THE ATLANTIC RECORD LAB<b>EL BUT ATLANTIC RECORDS HAD A DISTRIBUTION DEAL WITH STAX RECORDS UNTIL 1968.\u00a0<b><b><b>SHE HAD A GREAT SOUND. MR. JIM STEWART AND HIS SISTER MRS. ESTELLE AXTON WERE THE FOUNDERS OF STAX RECORDS.<\/b><\/b><\/b><\/b><\/b><\/b><br \/>\n<\/b><\/p>\n<p><b>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ENJOY AND THANK YOU FOR VISITING.<br \/>\n<\/b><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" id=\"irc_mi\" src=\"http:\/\/www.soulwalking.co.uk\/00Images%202008\/Stax-Soulsville-Nice-2008.jpg\" alt=\"\" width=\"396\" height=\"198\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><b><br \/>\nSTAX RECORDS<\/b><\/p>\n<p>Poetry blues on a rack-<br \/>\nCloset turntable<br \/>\nblues and soul-\u00a0\u00a0 my faith&#8230;<br \/>\nI&#8217;m playin&#8217; the sax<br \/>\nand more horns marquee Stax records-<br \/>\n1960-68,<br \/>\nJust love and blues sing just the way<br \/>\nit was-<br \/>\nrough-alley soul-<br \/>\nI&#8217;m cryin&#8217; sweet tender alley and soul<br \/>\nvoices of blues hear me all the time&#8230;<\/p>\n<p>MGT<br \/>\nCopyright \u00a9 1999 Mark Turns.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b><br \/>\nMORE STAX<\/b><\/p>\n<p>Stax Records, Volt shadow Memphis<br \/>\nblues-<br \/>\nSam and Dave&#8230;\u00a0 Otis Redding<br \/>\nkeep on comin&#8217;&#8230;<br \/>\nthe mic of the blues<br \/>\nand Memphis on the horn ain&#8217;t played<br \/>\nwithout a sound to my heart, one more key&#8230;<br \/>\nMemphis, keep right on rollin&#8217;&#8230;.<\/p>\n<p>MGT<br \/>\nCopyright \u00a9 1999 Mark Turns.<\/p>\n<p>&nbsp;<\/p>\n<p><b><br \/>\nPATH AND DREAMS<\/b><\/p>\n<p>The Staples Singers-<br \/>\nKool-Aid and sandals<br \/>\nare a path and dreams that are always soul-food-<br \/>\nNever an empty plate-<br \/>\nLove and the warmth of color&#8230;<\/p>\n<p>MGT<br \/>\nCopyright \u00a9 1999 Mark Turns.<br \/>\nThe following poem titled: &#8220;SOUNDTRACKS&#8221; is about The Late Great Curtis<br \/>\nMayfield, Isaac Hayes and their music. Little Child Runnin&#8217; Wild by Curtis<br \/>\nMayfield and The Theme From Shaft by Isaac Hayes. The theme and feel as I<br \/>\nfeel it mixed all in with November 1971, a nightscene, daytime, a 1969 Nova-<br \/>\nSuper-Sport, a gold 1971 Mustang Mach I as well as the 1971 Dodge Challenger,<br \/>\ndowntown and urban neighborhoods. I realize that Curtis Mayfield is not a Stax<br \/>\nRecords Artist but<br \/>\nIsaac Hayes is and the mix felt good for the following poem creation. I thought<br \/>\nthat it would make a nice addition anyway. Enjoy!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>SOUNDTRACKS<\/b><\/p>\n<p><b>Curtis Mayfield soundtrack pro-gassed<br \/>\n1971 with effects. Isaac and no sounds<br \/>\nexhaust-<br \/>\nGo special plum-crazy is a<br \/>\n71 Dodge Challenger playing Curtis Mayfield<br \/>\nand more Hayes-\u00a0 protrude November 71 impressions<br \/>\nsmooth to a choppy-idle butterscotch&#8230;<\/b><\/p>\n<p>MGT<\/p>\n<p>Copyright<b>\u00a9<\/b>1995 Mark Turns.<\/p>\n<p>&nbsp;<\/p>\n<p><b>\u00a0<\/b><\/p>\n<p>DRAMATICS MUSIC<\/p>\n<p>The Dramatics kicked me right where<br \/>\nI move when they sang for energy, soul<br \/>\nand freedom-<br \/>\nOvershadows about what I am<br \/>\nwhen I listen to a rhythm sing the blues-<\/p>\n<p>I let them love to an only girl and boy-<br \/>\nNo matter what you&#8217;re made to feel that<br \/>\nlove now, can&#8217;t be broken in pieces&#8230;<\/p>\n<p>MGT<\/p>\n<p>Copyright <b>(c) 1994 Mark Turns.<\/b><\/p>\n<p><b>DEDICATED TO THE DRAMATICS AND THEIR SONG:<br \/>\n&#8220;WHAT YOU SEE IS WHAT YOU GET<b>.&#8221;<\/b><\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>SIGHTS AND SONGS<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>The November 1982 issue of Hot-Rod-<br \/>\nA song by The Dramatics and a<br \/>\nsong about a friendly stranger in a black<br \/>\nsedan-<br \/>\n1970-69<br \/>\nMopar solutions upon Bruce Lee, what you see<br \/>\nis what you get and they all intertwine with<br \/>\na picture of a blue 1970 Plymouth GTX-<br \/>\nSunglasses sunshine or overcast.<br \/>\nMy attitude or gas is the blank expression true<br \/>\nto whether you have a sight or not&#8230;<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>MGT<br \/>\nCopyright (c)<\/b><b>2000 Mark Turns.<br \/>\n<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p align=\"center\"><b>ONE FOR BARBARA<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>See the steps 1965 in Barbara Lewis<br \/>\nis compression-tight but feels so soft<br \/>\nlove ago, I knew&#8230;<\/b><\/p>\n<p>Compression-tight love-sewn shadows in<br \/>\na day so beautiful seed, overlap my pride<br \/>\nclear mists through in a beautiful spring<br \/>\nwhen the sun rises the dew til&#8217; dawn-<br \/>\nPoses in the back of my mind is what<br \/>\nshe sings tomorrow&#8230;.<\/p>\n<p>MGT<\/p>\n<p>Copyrigh<b><b>t (c)<\/b>1994 Mark Turns.<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>MORE LINKS<\/strong><\/em><\/p>\n<p><a href=\"http:\/\/lilgoat.com\/?page_id=64\">http:\/\/lilgoat.com\/?page_id=64<\/a> <strong>(Graffiti-Wall Collector (Poems)<\/strong><\/p>\n<p><a href=\"http:\/\/lilgoat.com\/?page_id=269\">http:\/\/lilgoat.com\/?page_id=269<\/a>\u00a0<strong>(Letter From Dr. King&#8217;s Widow, Etc.)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WELCOME TO MARK TURNS POETRY TRIBUTE TO STAX RECORDS AND THEIR RECORDING-ARTISTS A.K.A. SOULSVILLE USA. OTIS REDDING, SAM AND DAVE, BARBARA LEWIS, CARLA AND RUFUS THOMAS, PERCY SLEDGE BOOKER T AND THE MG&#8217;S AND ISAAC HAYES ARE JUST SOME OF &hellip; <a href=\"http:\/\/lilgoat.com\/?page_id=13\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/lilgoat.com\/index.php?rest_route=\/wp\/v2\/pages\/13"}],"collection":[{"href":"http:\/\/lilgoat.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/lilgoat.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/lilgoat.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lilgoat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13"}],"version-history":[{"count":22,"href":"http:\/\/lilgoat.com\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":3953,"href":"http:\/\/lilgoat.com\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions\/3953"}],"wp:attachment":[{"href":"http:\/\/lilgoat.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}